In our opinion, it is important to ‘unearth fascism’, for several reasons. First, because material remains are so important in shaping the collective memory of fascism in Ethiopia. Archaeological vestiges are not innocent: they are part of a prevalent remembrance of the Italian occupation, one that has privileged monumental works over much less visible traces of abuse and conflict. Norindr (1996: 158) points out that in Indochina, the focus of neocolonial imagination is on French ‘ornate beaux-arts buildings’. In Ethiopia, the mythologies of the Italian occupation rest upon modernist houses, roads and bridges. Significantly, during our fieldwork in the region of Gambela (western Ethiopia) most buildings attributed to the Italians were (wrongly) identified as schools, in keeping with the idea propagated by the colonizers themselves that they were spreading civilization. This clearly goes against historical facts: the Italian policy in the Horn of Africa was, even before the advent of fascism, guided by the maxim: ‘no schooling for Africans’ (Barrera 2003: 90).