Women occupy a privileged place in horror film. The horror genre is a site of entertainment and excitement, of terror and dread, and one that relishes in the complexities that arise when boundaries – of taste, of bodies, or reason – are blurred and dismantled. It is also a site of expression and exploration that leverages the narrative and aesthetic horrors of the reproductive, the maternal and the sexual to expose the underpinnings of the social, political and philosophical othering of women. This is a consistent point of interest, even across the breadth of an already diverse genre and into that which might otherwise be deemed ‘the horrific’.